Anne-Marie Willis has assembled a compelling collection of essays that address the ways design and philosophy can change our lives. Review by John O’Reilly
Bloomsbury’s new reader on the crossovers of design and philosophy asks us to question the traditional service role of professional design, writes John O’Reilly
Hamish Muir and Paul McNeil have made a series of one-off variable data posters based on the seed files used for their famous Eye 94 cover
Back in 2017, designers Hamish Muir and Paul McNeil collaborated with Eye magazine on an unprecedented, unpredictable project: designing the 8000 variable data covers for Eye 94.
The wartime posters of Abram Games retain their persuasive power. Review by Monika Parrinder
This big retrospective exhibition of wartime posters by Abram Games at the National Army Museum is an opportunity to learn from the past, writes Monika Parrinder.
The latest issue of Eye is a type special
The latest issue of Eye has been printed and it’s on its way to subscribers and shops right now.
Angie Lewin’s pebbles; Mark Andresen’s dogs; Lukas Novotny’s Modern London; R. Crumb’s dreams; the scrapbooks of Eric Ravilious
Here is a selection of illustration-related titles that caught our attention in recent weeks.
Tricia Treacy’s Situated Between, Crayonograph, Le Gun no. 6, a journal from The Pre-Vinylite Society … and a typeset rectangular doily
Here are a few miscellaneous graphic artefacts that caught our attention in recent weeks.
Eye’s Type Tuesday about 21st-Century letterpress featured Double Dagger, The Counter Press and Erik Spiekermann. A splendid time was had by all
Erik Spiekermann opened his talk at Type Tuesday on 5 March 2019 with some ruminations on the subject of craft: ‘Craft, skill, trade, vocation: The human impulse to make something for its own sake, to do it as well as you can,’ writes John L. Walters.
In Aotearoa New Zealand, Designers Speak (Up) is challenging the male-dominated awards system. By Catherine Griffiths
A new campaign aims to address the gender imbalance in New Zealand design, writes Catherine Griffiths. For the past two decades, the Designers Institute of New Zealand (DINZ) has awarded its top accolade, the Black Pin, 43 times: 40 men, 3 women.
The 65th annual Type Directors Club competition, Patrick Thomas’s revised Protest Stencil Toolkit, the Whitney’s ‘programmed’ typeface and Studio Dumbar’s variable type City in Motion posters
Here is a selection of type-related things – recently announced type winners, a revised edition of a type, a selection of variable type posters, and an exhibition that looks at works of art based on instructions.
James Victore’s Feck Perfuction; Observe, Collect, Draw!; Brand By Hand; How To Do Great Work Without Being an Asshole
Here is a collection of self-help and ‘memoir-adjacent’ titles – all written by designers – that caught our attention in recent weeks.