What next for AGI? Outgoing and incoming presidents Nikki Gonnissen and Dean Poole talk to Eye about their graphic design ‘club’
This week, the Alliance Graphique Internationale, aka AGI, has been meeting in Mexico City for the annual Congress and AGI Open, the former just for members, the latter a star-studded (and now sold-out) public conference from 28-29 September 2018.
Letter Exchange, a network of professionals in the lettering arts, type design and typography, is to host a conference in Cambridge in October
2018 marks the 30th anniversary of Letter Exchange, the organisation for professionals in the lettering arts, and to celebrate, we are hosting a conference in Cambridge, entitled ‘XXX’, writes conference organiser Mark Noad.
Steven McCarthy reports from Kolaj Fest in New Orleans, a new international convention that takes collage seriously – as art, medium and process
Collage, the cutting and pasting of published images and texts, straddles a spectrum – it is deceptively easy and childlike on one hand, and complex, nuanced and able to make sophisticated visual statements on the other, writes Steven McCarthy.
The House of Illustration’s John Vernon Lord exhibition shows Lord’s extraordinary talent for magical narrative
You may be aware of John Vernon Lord’s work as a result of his long career as a freelance illustrator (which began in 1961) or through his lectures at Brighton College of Art, where he has taught illustration for nearly half a century, writes Clare Walters.
A rare insight into the ‘quietly hilarious’ advertising artwork of William Heath Robinson.
William Heath Robinson (1872-1944) was a prolific artist and illustrator whose name has entered the dictionary as a way of describing excessively convoluted processes using people and machines, writes Andrew Robertson.
A satirical, eighteenth-century revival is heading for London’s Oxo Tower Wharf. Curator Meredith Kasabian (Pre-Vinylite Society) sets the scene
This August the Pre-Vinylite Society will present a London show lasting just four days. ‘The Grand Exhibition of the Pre-Vinylite Society: An 18th Century Revival’ is a contemporary interpretation of a historic satirical exhibition, writes curator and sign painter Meredith Kasabian.