Opinion
Eduardo Paolozzi’s gifts as a collagist have been neglected by the worlds of both art and design.…
Features
‘What other profession do you end up in where you learn so much about other people’s businesses than in…
Spin’s founder, the subject of Reputations in Eye 86, talks about his passion for poster collecting
Alan Bartram brought a perceptive eye to alphabetic detail in public spaces. Catherine Dixon pays…
As a sidebar to ‘Quiet man of letters’, Simon Esterson talks about his early encounters with this…
Stencil typefaces – late arrivals on the typographic scene – are going in new directions and…
Fred Fowle was the UK’s foremost fairground artist. His go-faster graphics and futuristic lettering live…
TDC hails the wider world of empathetic wine labels, typographic IDs and retro stationery
Steampunk’s florid industrial nostalgia might yet be the defining aesthetic of our time
A generation before home computers, Letraset’s dry transfer lettering made desktop typography possible –…
Linda Kwon reports on a design conference that aims to fight the ‘velvet rope syndrome’