Eye Magazine

The latest Charles Nypels Prize for typography was awarded last November to Erik…

Book Typography is a brief, dense tour around the processes of typesetting texts…

Letters, especially typographic letters, escape from the men and women who have…

Jazz lives most happily in venues in which drink is served, and in which talking…

The magazine Spirale was published from Bern in nine numbers, including one double…

The Royal Festival hall has regained the thoroughly English lettering of its origins in the Festival…

Doing up typefaces is not like doing up buildings – more like re-creating the parts from which…

The work of Dutch designer Karel Martens is rooted in materials rather than the ravishing image

This swiss company has pioneered inventive solutions to the practical and aesthetic challenges of…

Otto Neurath’s 1936 book was the fullest exposition of his vision as an international visual…

St Bride Library is one of the world’s best sources of information about type design and…

With a substantial body of work already completed, Gerard Unger’s designs are entering a new…

Eye reassesses the legacy of Edward Wright: designer, teacher, artist and “culture-carrier”

The old manufacturing companies that dominated typeface production through most of this century…

Blue Note designer Reid Miles and photographer Francis Wolff were a classic combo. Their covers have…

The bland new Euro provides an object lesson in how design represents historical reality.

‘To begin with, let us enumerate what is repulsive and therefore wrong.’ Thus…

‘Type90’ brought several hundred typographically preoccupied people to Oxford…

The all-lowercase Dutch phone book has yielded to the ‘Modern Traditionalism’  of Martin Majoor