Review: Reviews

 
One hundred years new

One hundred years new

Jeremy Aynsley’s Graphic Design in Germany 1890-1945 was published almost twenty…
 
The advocacy of Tschichold

The advocacy of Tschichold

As Paul Stirton, the curator of ‘Jan Tschichold and the New Typography’ readily…
 
Thinking machine

Thinking machine

In the vestibule of Level G at the Barbican a man stands before a large black screen.…
 
In search of dialogue

In search of dialogue

The Design Observer (DO) blog was launched in 2003 by William Drenttel, Jessica…
 
Where was Weimar?

Where was Weimar?

The era of the Weimar Republic, which emerged in Germany in the wake of the First…
 
Design odyssey

Design odyssey

Stanley Kubrick (1928-99) has long been the ultimate designers’ director, a man who…
 
A new world of worlds

A new world of worlds

‘What would it take to construct a non-Eurocentric design imagination?’ This is the…
 
Yes we can change

Yes we can change

Sunny Dolat, co-founder of The Nest Collective, at What Design Can Do México City…
 
Encyclopedic ambitions

Encyclopedic ambitions

English-language historical surveys of illustration have been undertaken on both…
 
Who cares if you read?

Who cares if you read?

David Carson is indelibly linked to the notion of the ‘end of print’, encapsulated by…
 
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